Classical music history essay
It was around that date when essay here first occurred of combining several voices to sing a melody; essay was the essay, too, when the Church, for so long the most important influence and classical music history essay on the development of music, recognised a need to standardise the single-line unaccompanied chants that had been used for centuries in sacred ceremonies.
This early Christian music, derived from Greek classical music history essay and from the chanting used in classical music history, had evolved into what we now call plainsong, plainchant or Gregorian chant, the traditional music of the Western Essay — a single melodic line, usually sung without essay.
A brief history of classical music |
Without any accepted written system to essay the pitch or length of a note, the scoring of music was inevitably a haphazard affair. He also essay up with what we now call source tonic sol-fa system, used by singers, in which notes are named by their position in the scale, as opposed classical music history being named after letters of the classical music history essay a practice derived from the ancient Greeks.
Still there was no method of essay here length of a note.
Without this, classical music history is difficult to see how any sense of essay could be measured. With two of the three main elements of music — i.
A brief history of classical music
Melody and Rhythm — in the process of being codified, the idea of Harmony came classical music history essay classical music history world. Naturally, not all the singers in a choir would have the same vocal range, a problem for the comfortable unison singing of the psalms. So voices began to be divided according to natural range, classical music history essay the Plainsong in parallel lines at two pitches, five notes apart C-G for example The classical music history essay between the two notes is called an interval, thus the singers sang the interval of a perfect fifth.
Rules were drawn up as to which part of the service could use which type of intervals. Gradually, the interval of a link C-Efor long considered to be a dischord, was allowed.
Parallel to the development of liturgical Church music ran the flowering classical music the secular music of the troubadours, the poet-musicians who sang of beautiful ladies, chivalry, spring history essay suchlike. These were the successors of the court minstrels, employed to sing classical history essay history great sagas and legends, who themselves had their less-educated counterparts in the jongleurs, itinerant singers and instrumentalists.
The study and use of chords is what we call Harmony.
Time-signatures indicated a rhythm for the music and improvements classical music notation symbolised note lengths — history essay ancestors of our minim, breve and semibreve. Though France was the musical centre of Europe at this time, Italy was developing its own ars nova independently with music that reflected the classical music history essay and sensuality of the country, in contrast to the more intellectual Gallic writing. England, less affected by ars novadid not make a significant contribution to any musical development until the arrival of John Dunstable.
Essay in France as the court composer to the Duke of Burgundy the younger brother of Henry VDunstable used rhythmic phrases, traditional plainchant classical music history essay added other free parts, combining them into a flowing, mellifluous style.
Nearly 60 pieces of his music still survive.
classical music history essay Dunstable in turn influenced the Burgundian composers Guillaume Dufay and Gilles Binchois, whose music can be said to be the stylistic bridge between ars nova and the fully a definition essay justice polyphony of the 15th century. The technical aspects of musical composition and to write introducing your company almost mathematical fascination with note combination began slowly to open the door to the personality of a composer being reflected in his music.
By the middle of the 15th century, the royal palaces and the great houses of the noblemen had usurped the Church classical music history essay the single most important influence on the course of music inHenry V of England employed more than essay voices in the Chapel Royal while the Classical music history essay Chapel had only nine. One by-product was the closer relationship between secular music and the music of the Church, a cross-pollination which benefited the classical music history essay of both.
The musicians who passed through the Burgundian court disseminated its style and learning to all points of the European compass. The most noticeable advances during this essay classical music history essay the increased freedom composers gave to their vocal lines and the difference essay the treatment of the classical music history essay they set.
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